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DTSTART;TZID=America/Los_Angeles:20260224T183000
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SUMMARY:Print Lab Workshop: How to Screen Print
DESCRIPTION:Learn: Expose + develop screen; apply ink; wash screen. \nRSVP Required — Click to Register!
URL:https://colleges.claremont.edu/thehive/event/print-lab-workshop-how-to-screen-print/
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DTSTART;TZID=America/Los_Angeles:20260225T163000
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SUMMARY:Creative Careers Alumni Panel
DESCRIPTION:Learn how Human-Centered Design and Hive alumni landed creative jobs and what their day-to-day work is like. They provide advice\, suggestions the invaluable perspective of recent graduates from the Claremont Colleges. This will be an online event with brief presentations from each panelist\, followed by a chance to ask questions and mingle in a breakout room. \nRSVP Required — Click to Register!
URL:https://colleges.claremont.edu/thehive/event/creative-careers-alumni-panel/
LOCATION:Zoom\, CA\, United States
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SUMMARY:Sewing Shed Workshop: Forever Flowers
DESCRIPTION:Learn: Make a flower bouquet with pipe cleaners \nRSVP Required — Click to Register!
URL:https://colleges.claremont.edu/thehive/event/sewing-shed-workshop-forever-flowers/
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DTSTART;TZID=America/Los_Angeles:20260227T150000
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SUMMARY:Ceramic Artist Panel & Making Activity
DESCRIPTION:The Scripps College Ceramic Annual is the longest-running exhibition featuring contemporary ceramics in the nation. The Ruth Chandler Williamson Gallery’s Ceramic Annual guest curators explore new art and new ideas in the field. \nFor the 81st Annual\, entitled Means to an End\, curator and ceramic artist Reniel Del Rosario selected artists who intentionally incorporated ceramics into their artistic practices–who feel an innate connection with clay–to create pieces that could have been achieved using other media. So why clay? Find out by joining us for this program! \nDel Rosario will be in conversation with LA-based artists Karen Kuo\, Patrick Martinez\, and Victor Saucedo\, who use ceramics as a springboard for innovation and dialogue across diverse media. Following this discussion on contemporary artists’ enduring fascinating with clay\, participants who register will have the opportunity to make their own work which they can take home! The maker’s activity will be led by the Williamson Gallery’s Collections & Exhibitions Manager\, and ceramic artist\, T. Robert Pacini. \nMeans to an End opens February 7th\, from 7-9 PM\, at the Ruth Chandler Williamson Gallery (251 E. 11th St. in Claremont). Attendees are highly encouraged to view the exhibition in advance of this program. Gallery hours are Wednesday through Sunday from 12-5 PM. \nRSVP Required — Click to Register! \nKaren Kuo (b. 1993) is an artist working in painting and sculpture. She translates images between flat and volumetric forms\, generating variations that echo natural growth and mutation. Guided by self-devised systems\, she interprets awe and wonder in nature through geometric\, mandalic compositions. Kuo received her BFA in Painting from the Rhode Island School of Design. Her work was recently acquired by the Morgan Stanley Art Collection. Kuo is a 2026 Vermont Studio Center Fellow and has exhibited at Cuchifritos (NYC)\, Ladies’ Room (LA)\, the John Michael Kohler Arts Center (Sheboygan)\, and internationally at Contemporary Istanbul. \n  \n  \n  \nPatrick Martinez (b. 1980\, Pasadena\, CA) is a Los Angeles–based artist whose work examines language\, place\, memory\, and the social histories embedded in the American landscape. Working across neon\, painting\, sculpture\, and installation\, he draws from vernacular signage\, archival imagery\, and public text to explore power\, erasure\, and resilience\, particularly within communities of color. Martinez has exhibited nationally and internationally\, including at the Whitney Museum of American Art\, The Broad\, and the Smithsonian\, and his work is held in major public and private collections. He lives and works in Los Angeles and is represented by Charlie James Gallery. \nPhoto credit for Patrick Martinez’s headshot: Gabriel Noguez \n  \n  \nVictor Saucedo is a second-generation Latinx artist based between San Francisco and Los Angeles. Working across ceramics\, sculpture\, installation\, and digital collage\, their practice examines white American history\, cultural erasure\, and systems of power through material experimentation and archival reference. Saucedo’s work often integrates social practice\, community workshops\, and collective authorship as methods of care and resistance. They have exhibited and curated projects throughout the Bay Area and are currently pursuing an MFA in Ceramics at UCLA. \n  \n  \n  \nReniel Del Rosario (b. Iba\, Philippines) uses ceramics\, quantity\, and satire to discuss themes of commodification and value. His projects range from interactive mimicries of consumer establishments\, to reimaginings of artifacts\, to imperfect copies of already-existing objects. He holds a BA in Art Practice from the University of California at Berkeley. He is a 2019 recipient of the Center for Craft’s Windgate-Lamar fellowship\, a 2022 SFMOMA Artists Soapbox Derby racer\, and has been featured in writings such as ARTFORUM and Bon Appetit. His work has been exhibited internationally through traditional and alternative venues such as West Coast Craft\, Meta Open Arts\, the Contemporary Art Museum St. Louis\, Catharine Clark Gallery\, the 79th Scripps College Ceramics Annual\, Load Na Dito\, San Francisco Art Fair\, Praise Shadows Art Gallery\, the San Francisco Museum of Modern Art\, Jane Lombard Gallery\, and simply on the public sidewalk. Del Rosario was an artist-in-residence at the American Museum of Ceramic Art (AMOCA) in Pomona\, CA from September 2024–August 2025. \n 
URL:https://colleges.claremont.edu/thehive/event/ceramic-artist-panel-making-activity/
LOCATION:Commons — The Hive\, 130 E 7th St\, Claremont\, CA\, 91711\, United States
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