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Faculty Course Grants

The Rick and Susan Sontag Center for Collaborative Creativity (the Hive) supports competitive grant programs for infusing creative collaboration into courses at The Claremont Colleges. The Hive offers two types of course grants that are awarded annually:

  • Course activity grants
  • Course development grants

We award course activity grants for one academic year of up to $1000 to support activities by individual 7C full time faculty members and up to $3000 for interdisciplinary and ideally intercollegiate teams.

We also award course development grants of a $5000 stipend for interdisciplinary and ideally intercollegiate 7C full time faculty member teams to transform or develop a course or courses during one academic year that will be taught in the following academic year.

The Sontag Center also supports all grant recipients through non-monetary means such as space, staff time, design expertise, and help sharing the story of the course.

The course activity and development grant proposals are evaluated by:

  • Featuring experiential components of creating and making
  • Nurturing connections between colleges and is highly interdisciplinary
  • Encouraging collaboration among students and faculty
  • Presenting ambitious and ambiguous challenges
  • Providing learning experiences not possible in the current course design
  • Bringing in never-before-seen and breathtaking ideas
  • Incorporating human-centered design elements

We enthusiastically support proposals that seem risky and ideas that are developing. In our view, great learning experiences come from a process of experimentation, growing from successes and failures, and continuous improvement. We encourage you to pose questions, follow hunches, and engage in self-reflection throughout the grant experience.

Awarded Grants

Course Development Grants - Fall 2022

Katrina Keil
Sarah Budischak
Christina Edholm
Sharon Stranford
Stacey Doan
Fred Lynch
Debbie Freund
Alicia Bonaparte
Pomona
Keck Science
Scripps
CMC
CGU
Pitzer
Introduction to Public Health: 7C interdisciplinary course
This 7 College, interdisciplinary course introduces undergraduate students to the area of public health–one of the fastest growing fields in the nation. This team-taught course provide students with an introduction to the major themes of public health, setting the stage for more advanced coursework in specific areas of public health and healthcare focused on politics, sociology, psychology, biology, economics, and mathematics.

Total Proposals Submitted = 3
Total Grants Awarded = 1
Total Faculty and Staff Awarded = 8
Total Development Grant Awards = $5,000

Course Activity Grants - Fall 2022

Jasmine Baetz
Adam Davis
Scripps
Art
Expanded Ceramics: Clay and Fiber: ART 126-01
Contemporary Sculpture: ART 125-01
This course engages students in open-ended material and the process of conceptual development and self-expression using clay, fiber, plaster, and wood. Students study queer, feminist, and anti-racist theories and strategies, and apply them to the sculptural practice, using hand-building and fiber art techniques to convey complex and researched ideas in sculptural form. Ceramics and sculpture are all-encompassing practices encouraging students to be an engineer, a scientist, a painter, a historian, a curator, and a critic–a practice of making and thinking through multiple materials. Students establish methods for theorizing and using these materials and processes to create sculpture that is grounded in their own subjectivities.

Jasmine Baetz
Jih-Fei Cheng
Scripps
Art
Feminist, Gender, and Sexuality Studies
Materials and Extraction: ART 153-01
FGSS 153-01
Using critical theory and ceramics, this course addresses histories of settler colonialism, labor, extraction, and materials production involved in the construction, landscaping, architecture, and visual culture of Greater Los Angeles/Southern California. These histories are engaged in relation to geographies formed and communities shaped by race, ethnicity, gender, sexuality, class, and (dis)abilities, to name a few axes of difference, power, and identity. The course involves intersectional and interdisciplinary methods of research and analysis, as well as studio-based ceramics art practice. Students visit Cal-Earth in Hesperia, where they work in groups on a SuperAdobe structure, learning building and plastering techniques. Students then take these skills back to the studio to create small-scale sculptures, for further building and complicating with other materials and processes.

Lucas Bang
Brian Keeley
HMC
Pitzer
Computer Science
Philosophy; Psychology; Neuroscience; Science, Technology, and Society; Cognitive Science
PHIL 185C PZ: Topics in the Philosophy of Cognitive Science: Perception
What is the nature of the sensory modalities? If one were to claim a new, “sixth” sense, what evidence would be required to establish this? How many senses are there and how many senses do “normal” humans have? What is the sensory life of those who have more or fewer senses than the average, neurotypical person? This course is an interdisciplinary exploration, touching on philosophy, history of science, sensory anthropology, sensory psychology, neurobiology, and the study of artificial senses (cyborgs). Students build an electronic compass that develops new mapping abilities and an unerring sense of direction, allowing students to explore sense and perception from a philosophical point of view.

Virginie Duzer
Pomona
Romance Languages and Literatures
French 178: Writing the Painter, Painting the Writer
This course explores the connections between painting and literature at the end of the nineteenth century in France, helping students understand better the concept of representation, by creating and making. Students are fascinated by Balzac’s “Le Chef d’oeuvre inconnu,” a short story/short novel which was also one of Picasso’s favorites, and which he tried to illustrate. At the end of the story, the artist burns his art; but before that, the reader is provided with a description of the piece, making it impossible to understand what is really represented, and in what sense the painting is a work of art. Students reproduce, adapt, create, and imagine this impossible and elusive image, which is at the heart of the Balzac story. Bringing back “the hand” and the act of creating into the classroom, students better understand the complex question of representation.

Douglas Goodwin
Alyson Ogasian
Lauren Ng
Scripps
Media Studies
Art
Facilities/Sustainability
MS 159: Intro to Computational Photography
Core 003: Art, Ecology, and Fieldwork
This course includes interdisciplinary workshops that use real-time energy consumption data from energy meters to create dynamic real-time visualizations of energy usage on the Scripps campus. Students learn how to work with a live datafeed, thermal imagery, and use these inputs to make a visualization or artwork. How can we use data from the energy meters to make predictions, deepen our understanding of our individual footprint, and build a more sustainable future? The demonstration project presents a slow, colorful animation that reveals the interplay of heat and climate control that takes place in the building. These visualizations are rear-projected through windows and allow passers-by to see energy being used by the building, hopefully sparking conversations about sustainability and architectural environments. The project illustrates the relationship between thermal loss and energy consumed by the heating and ventilation systems, and also makes a beautiful projection that will promote ecological thinking and inspire positive interventions.

Tessa Hicks Peterson
Pitzer
CGU
Urban Studies
School of Education
EDUC 566: Community-based Education and Social Change: Focus on Transformative Organizing and Healing Justice
With community activists and co-educators, students explore theoretical frameworks and approaches of Organizational Development (restorative and alternative organizational structures that provide methods for values alignment in the operations and governance of justice-oriented organizations and schools), Transformative Movement Organizing (the ways social movements and community-based organizations exercise personal and organizational transformative practices for social change), and Healing Justice (use of restorative practices of mindfulness, embodiment, creativity, healing, and self-awareness/reflection as part of social justice work). Students experience these ideas in action, through interactive, experiential workshops that bring the topics from the abstract into the real, the applied, the engaged. Students and community partners will explore what they self-identify as challenging issues related to teaching, organizing, and building efforts for social change, as well as uplift practices honoring community care and assets as forms of resistance.

Alyson Ogasian
Scripps
Art
Media Studies
ART 143: Advanced Digital Art
Students learn to use WebXR/Glitch (an exciting new tool that links artistic practice with computer science/coding) to create interactive, web-based art experiences as they think about the physicality of virtual space, how to convey a sense of place, and what it means to create a spatial environment that exists on a browser. The spaces students create in Glitch are filled with audio, video, image files, 3D scans, GIFS and more, so they are extremely flexible and conducive to experimentation and conveying a sense of ambiance. Students also explore and discuss earlier forms of net art, such as interactive fiction, and how these artworks sit at the nexus of fine art, game design, and fiction.

Carlin Wing
Ruti Talmor
Kevin Williamson
Scripps
Pitzer
Media Studies
Dance
MS 123: Body Media
What happens when the body is the medium is the message? The imbrication of embodiment and mediation is everywhere: from politics to biomedicine, to intimacy and surveillance, to lives lived on smartphones and Zoom. This course introduces phenomenological theories of the body, explores bodies in media (including sports, acting, performance art, dance, videogaming, and pornography), and turns to bodies as media (as cellular biology; as cultural, genetic and computational code; and as interwoven with nonhuman beings). Students learn with practitioners who embody media within media industries (motion capture artists and foley artists), somatic practitioners who treat the body as a mediator of the past (memory and trauma therapists) in the present, and movement practitioners (dance and performance artists, breathwork specialists, and qi gong masters). Using the body as the central means of expression, students explore topics such as impairment, disability, illness, trauma, and practices of transcendence and healing.

Total Proposals Submitted = 11
Total Grants Awarded = 8
Total Faculty and Staff Awarded = 13
Total Grant Awards = $14,770

Course Development Grant Highlights

Fall 2020:
Anne Harley
Giovanni Ortega
Scripps and Pomona
Music and Theatre
THEA 51H: Theatre Performance and Pedagogy
MUS92: Voice for Musical Theatre
MUS170F/H: Voice
Art has an important function in a crisis: it must express and address contemporary issues and explore ideas that are most relevant to its contemporary moment, both in form and content. Students rehearse and perform their individual student-created libretti and commissioned musical pieces, creating a staged livestream performance that can be delivered remotely, as a recorded video, or in-person, building infrastructure and resilience for performing arts projects in the future.

Marcus Rodriguez
Kathleen Yep
Pitzer
Psychology and Asian American Studies
Psyc 193: Global Mental Health Seminar
Students consider how to effectively communicate their ideas to a broad audience in simple terms. The course engages student learning in a variety of ways, including mindfulness practices, reading children’s books, student-led discussions, in-class writing and peer-review, writing a research paper, and drafting an original children’s book. The children’s book will be approached as a social act, as the students navigate between understanding, doing, and making.

Fall 2019:
Colleen Ruth Rosenfeld
Jessica McCoy
Pomona and Pitzer
English and Studio Art
Ovidian Figures
Ovid's Metamorphoses is an iterative, almost compulsive, attempt to capture the very moment at which one body ceases to be itself by transforming into something else. The course asks: How does one body, one constellation of matter, assume another shape? What is the relation of the human body to the plants and animals and minerals that it can become? These questions are answered both verbally and visually by a literary critic, who specializes in poetry and poetic theory and a painter, who specializes in figure drawing; requiring students to both analyze and create, write and draw, describe and make.

Dwight Whitaker
Victoria Lobis
Krysten Cunningham
Pomona College and Claremont McKenna
Physics and History
Optics and Dutch Visual Art of the 16th and 17th Century
The collaborators develop a team-taught art history, science, and studio art class that focuses on 16th-17th century Dutch painting through hands-on, experiential learning, exploring the role of optics in painting through building and using optical devices such as the camera lucida and camera obscura. Students share their expertise such that the artist and art historian learn the formal theory of optics and optical devices, while students with a science background grapple with the challenge of putting these theories into practice and appreciate what it means to make art.

Jessie Mills
Marcus Rodriguez
Pomona and Pitzer
Theatre and Psychology
Mindfulness and Play: An Inside-Out Course
Students examine how mindfulness (rooted in psychology and cognition) and play (rooted in theatre and ensemble games) co-mingle, interact, and intersect. Students study the key foundations, concepts, and practices of mindfulness and play, then develop mindfulness practices in performance and theatricalize the concept of mindfulness, culminating in an original, collaborative production.

Fall 2018:
Maryan Soliman
Laura Harris
Scripps and Pitzer 
Africana Studies and English and World Literature
Africana Studies Journal and New Media
This course establishes an Africana Studies journal to showcase the scholarship of undergraduates working in the field. The journal includes blogs and podcasts in addition to traditional article formats. Advancing practices of Black feminist theory, the journal encourages contributions that include authorial experience and positionality.

Spring 2018:
Jeffrey D. Groves
Char Miller
Harvey Mudd and Pomona 
Humanities, Social Sciences, and the Arts; and Environmental Analysis
Building Los Angeles
This sustained course explores the complex network of urban communities in which we live in order to think deeply about the relationship of the built to the natural environment.

Fall 2017:
Christy Spackman
Harvey Mudd
Humanities, Social Sciences, and the Arts & Biology
STS 179G: Microbiome and Fermentation
Students grow microbial companion species and think about our relationship to microbial life (cheese, kombucha, kimchi).

Course Activity Grant Highlights

Fall 2020:
Tim Berg
Adam Davis
Pitzer and Scripps
Art
Inside the Artist’s Studio
Students “travels” (via Zoom) to artists’ studios around the world, where each artist formally presents their work or gives a less formal tour of their studios and talks about works-in-progress. The course seizes the opportunity to make the most of distance learning and discover the benefits of technology currently being used to meet an array of international artists and see inside their studio process.

Fall 2019:
Rachel Mayeri
Wallace “Marty” Meyer
Harvey Mudd and Pomona
Humanities, Social Sciences, and the Arts and Biology and Bernard Field Station
Art179F: Art and Biology
This course surveys and discusses cutting-edge art-science theories, practices, practitioners, and institutions in seminar; and in studio, explores art and life science in hands-on experiments, leading to finished projects. Students share and employ their own knowledge and skills in art, science, and technology. Biology's ideas, images, and methods are a treasure trove for contemporary art. Beneath the surface, biology has radically shifted concepts of self, nature, and society, and contemporary artists are often inspired to address genes, evolution, cognition, behavior, and new technologies that modify human reproduction, health, and the environment.

Spring 2019:
Janice Hudgings 
Pomona, Draper Center, and Fremont Academy for Engineering and Design
Physics and Astronomy 
Physics 128CP: Electronics with Laboratory 
Students in this class partner with the Fremont Academy of Engineering and Design’s Fremont Femineers, 32, 10th - 12th grade girls, who are aspiring engineers. The students work together to design and implement a creative electronics engineering project focusing on wearable electronics.

Tim Berg
Adrian Pantoja
Pitzer
Art and Political Studies
The Surfboard as Art and Culture 
Students study the designs and materials used to make surfboards and become familiar with surfboards and wave-riding, as well as research the history of surfing, from ancient Hawaiians to the contemporary era. Students come to understand how the shape and size of a surfboard corresponds with wave breaks, heights, riding styles, and surf conditions, and test the functionality of their work in different surf breaks and surfing conditions.

Fall 2018:
Dwight Whitaker
Pomona
Physics 
Physics 155: Experimental Optics
This course explores anamorphosis in painting in collaboration with Los Angeles-based artist, Krysten Cunningham. Anamorphosis is a technique that uses extreme perspective to render objects that are only recognizable from severely oblique angles.

Jen Scanlon
Pomona and Pitzer 
PE/Athletics 
PE 115W PO-01
The Pomona-Pitzer Women’s Soccer team develops a program focused on team building, interpersonal communication, identity development, leadership development, and shared responsibility to create a positive, powerful culture of engagement and success as competitive college student-athletes. Using the book, “Designing Your Life” and its related materials, the team puts their own spin on that framework with two new angles: “Designing your PPWS Life” and “Designing Our Team.”

Spring 2018:
Dwight Whitaker
Pomona
Physics
PHY 165: Physical Hydrodynamic
This course applies the intuition students develop about surface tension and fluid flows to make suminagashi, the Japanese art of paper marbling through the transfer of dyes floating on water.

Teresa Sabol Spezio
Pitzer and Pomona
Environmental Analysis
EA 10: Introduction to Environmental Analysis
Students analyze environmental issues through the lens of the sciences, the social sciences, and the humanities; then work together to create an art piece that communicates and educates the public about the effects of climate change.

Janice Hudgings
Pomona, Draper Center, and the Fremont Academy for Engineering and Design
Physics and Astronomy
Physics 128CP: Electronics with Laboratory
This course supports community partnership by working with Femineers (Fremont Academy for Engineering and Design Latina students) to design and build electronic-enabled built-from-scratch Lego bricks that can be interfaced with Arduinos for additional functionality.

Fall 2017:
Carlin Wing
Scripps
Intercollegiate Media Studies
CORE003 SC-19: Bodies in Motion: Representation and Simulation
Students work with an artist who creates Action Coding and answers the question, “What if computer coding was an embodied and visible practice?”

Carlin Wing
Scripps
Intercollegiate Media Studies
MS57: Introduction to Game Design
Students explore game design through clipping, ripping, hacking, and burning, using Super Mario as a medium for making art.

Spring 2017:
Phil Zuckerman
Jessica McCoy
Pitzer
Sociology, Art
SOC/ART 92
Students create unique graphic novels that focus on aspects of contemporary social life.

Christy Spackman
Marianne de Laet
Harvey Mudd
Humanities, Social Sciences, and the Arts
HSA 10: Critical Inquiry, STS 179F
This course explores the wonderful world of trash by developing a scratch and sniff sensory monitoring tool, taking a field trip to the solid and water waste facility, and conducting a workshop at Hive on sensorial mapping.

Gibb Schreffler
Pomona
Music
PO MUS 74
Students learn the history of work songs, specifically sea chanties. The class sings and performs the work associated with historical sea chanties, all while sailing on a traditional ship.

David Bachman
Pitzer
Mathematics
Math 145B: Geometric Modeling
This course understands math through 3D printing. Students program the 3D printing of a series of math equations that create astounding works of art exhibited at the Hive.